ChordStudy 2005/01PatCloudx C C C C C C C C    C C C C C C C C@@ @ @@ A@ A@ A@ A@  II` I  I@ I III I F  I F@ I` I F! I! F" @# A@$ A@% A@& A@'( I(I`) I * I@* I+ I,I,I- I- F . I. F@/ I`/ I/ F0 I0 F1@2 A@3 A@4 A@5 A@67 I7I`8 I 9 I@9 I: I;I;I< I< F = I= F@> I`> I> F? I? F@@A A@BA@C A@D A@EF IFI`G I H I@H II IJIJIK IK F L ILF@M I`M IM FN IN FO@PA@QA@R A@S A@TU IUI`V I W I@W IX IYIYIZ IZF [ I[F@\ I`\ I\ F] I] F^@_ A@` A@a A@b A@c d e f g B7A7D7G7C7F7Bb7Eb7Ab7Db7Gb7E7B9Cmaj7Cm7Cm7-5Cdim7Created with TablEdit http://www.tabledit.com/ Send typos to pluto1 @ gmail.com Gleaned from http://www.banjohangout.org/forum/topic.asp?TOPIC_ID=22932 5 Chord Qualities This is a warm up exercise to loosen your fingers and begin your daily practice routine. It consists of 5 chord qualities played consecutively in extended arpeggio form. The five chord qualities are: 1.) Major Seventh (1 3 5 7) 2.) Dominant Seventh (1 3 5 b7) 3.) Minor Seventh (1 b3 5 b7) 4.) Half Diminished (1 b3 b5 b7) 5.) Diminished Seventh (1 b3 b5 6) Each note of a C major seventh chord is lowered to produce these different kinds of chords all based on a C root. The chord for each arpeggio is played before and after each arpeggio. Always say the name of the chord in your mind as you play the exercise. This trains your ears to the changes and teaches you the notes and the area of the neck each chord type occupies: cw"%).Banjo open GTeno