II-V-I Jazz Patterns M.E. PlutowskiTranscribed by Mark Plutowski Source: http://www.jazzguitar.be/251.html$x  II`IIII I@II I@I`IIIII )@+- I-I`. I. I. I/ I / I@/ I007I 7I@7I`7 I7 I7 I7 I7I; B@F N INI`O IO IO IP I P I@P IQXI XI@XI`X IYIY IZIZI\e @guKuK vI@vIvIvIvKwI`wIx ~II@I`IIIIII I@I`IIF #KIМKI I@I`IIKI@I`IIIII I@II I`IIFII`IIII I@ II II I@III` I# I I@ IF I` I@II I I` I II III`IIII I@IIIII I@II`I#I I@ I I` I F @II III`III bebop scale |________|(diminished scale)(lydian scale)(8 diminished)D m7I` IC M7I G 7@C G 7alt@% C M7tK8D m7I` I G 7@C C M7ID m7I` I G 7alt@% C M7I"The II V I progression is the chord progression jazz musicians come accross the most." Source: http://www.jazzguitar.be/251.html cw"%).Banjo open GTenocw %).38Guitar StandardG