Minor Jazz Patterns M.E. PlutowskiTranscribed by Mark Plutowski Source: http://www.jazzguitar.be/patterns_min.html%d  III@I` I I!@!I`!I!I!I!I!I@%`%%%%%(I,I0;@< I`<I< =I>I@B I`C IC D IE IF F@F`FR ISITIX IZ I[ I\\\\]@d Ig@s I`sIs I tItIuIuI}~I@ I I` I I I I I @` I I I@I`III I I@ I` I I I @`  I II I@I`F I I@ I` F @`  I I I@I`IIII I@I`I I I I@ I` I I I @`  I I@ I` I @`  @  `   @  `      @`  I IIK@H KKI IKII I""""%I)K@)H)K)I*K*I+K-@------6@89 K: K: K>? K@ K@ KCF KL @@O `O O O O O @V `W W W X X Y@Y`YYYYYZ b d@e `e e e e e k@l `l l m n n @o`ooooo@{ `{ { { { | @ `     @`1234567b2b3b7D m7I` ID m7/b5 E M6/5Gm A# M6F mDm7I` IDm7I` IDm7I` I;Minor Jazz patterns. Most are written for Dm7, except for the fourth, which is for Am7. The last pattern is a Minor7 b5, written here for Dm7/b5. Scale degrees are in the base of the underlying major for the beginning chord of the pattern. So for example, if it is Dm7, the scale degrees are from D major. cz"%).Banjo open GTenoct %).38Guitar StandardG