IJazz Patterns Major)x Þÿÿÿþÿÿÿÿ %( ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ)B J_WYNT_K.STYÿ IÿÿÿÿÿÿÿÿáÈ °Àâ-wÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿIExercises the major jazz patterns using call and response. Loops through the entire set of patterns 12 times, once in each major key, following circle of fifths progression - up 7 semitones each chorus. ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿï  °Á°e°d°à@À@±e±d±á@Á@²e²d²â@Â@³e³d³ã@Ã@Ç’@_H’?_/?’@_H‰’C_/·’@_H’;_//’7_Hy’4_g ’<_H± ’;_/ß ’<_H) ’@_/W ’C_H' ’>_Hq ’;_/Ÿ ’7_Hé ’4_/’7_H’4_HÙ’>_/Q’;_É’4_/÷’7_HA’;_/§’/_Hñ’0_/’1?Hi’4_/—’2_H’0_/G’/?H‘’0_/¿’4_H ’7_/7’9_H’6_/¯’5?Hù’3_/'’4_Hq’+_/Ÿ’/_Hé’2_/’0_ðÇ!’;_H"’@_/?"’G_H‰"’C_‡%’@_HÑ%’?_/ÿ%’@_HI&’C_/w&’@_HÁ&’;_/ï&’7_H9'’4_'+’<_Hq+’;_/Ÿ+’<_Hé+’@_/,’C_Hç.’>_H1/’;_/_/’7_H©/’4_/×/’7_HO0’4_H™0’>_/1’;_‰1’4_/·1’7_H2’;_/g6’/_H±6’0_/ß6’1?H)7’4_/W7’2_HÙ;’0_/<’/?HQ<’0_/<’4_HÉ<’7_/÷<’9_HA=’6_/o=’5?H¹=’3_/ç=’4_H1>’+_/_>’/_H©>’2_/×>’0_ð‡C’;_HÑC’@_/ÿC’G_HID’C_GG’@_H‘G’?_/¿G’@_H H’C_/7H’@_HH’;_/¯H’7_HùH’4_çL’<_H1M’;_/_M’<_H©M’@_/×M’C_H§P’>_HñP’;_/Q’7_HiQ’4_/—Q’7_HR’4_HYR’>_/ÑR’;_IS’4_/wS’7_HÁS’;_/'X’/_HqX’0_/ŸX’1?HéX’4_/Y’2_H™]’0_/Ç]’/?H^’0_/?^’4_H‰^’7_/·^’9_H_’6_//_’5?Hy_’3_/§_’4_Hñ_’+_/`’/_Hi`’2_/—`’0_ðGe’;_H‘e’@_/¿e’G_H f’C_i’@_HQi’?_/i’@_HÉi’C_/÷i’@_HAj’;_/oj’7_H¹j’4_§n’<_Hñn’;_/o’<_Hio’@_/—o’C_Hgr’>_H±r’;_/ßr’7_H)s’4_/Ws’7_HÏs’4_Ht’>_/‘t’;_ u’4_/7u’7_Hu’;_/çy’/_H1z’0_/_z’1?H©z’4_/×z’2_HY’0_/‡’/?HÑ’0_/ÿ’4_HI€’7_/w€’9_HÁ€’6_/5?H9’3_/g’4_H±’+_/ß’/_H)‚’2_/W‚’0_ð‡’;_HQ‡’@_/‡’G_Hɇ’C_ÇŠ’@_H‹’?_/?‹’@_H‰‹’C_/·‹’@_HŒ’;_//Œ’7_HyŒ’4_g’<_H±’;_/ß’<_H)‘’@_/W‘’C_H'”’>_Hq”’;_/Ÿ”’7_Hé”’4_/•’7_H•’4_HÙ•’>_/Q–’;_É–’4_/÷–’7_HA—’;_/§›’/_Hñ›’0_/œ’1?Hiœ’4_/—œ’2_H¡’0_/G¡’/?H‘¡’0_/¿¡’4_H ¢’7_/7¢’9_H¢’6_/¯¢’5?Hù¢’3_/'£’4_Hq£’+_/Ÿ£’/_H飒2_/¤’0_ðǨ’;_H©’@_/?©’G_H‰©’C_‡¬’@_HѬ’?_/ÿ¬’@_HI­’C_/w­’@_HÁ­’;_/ï­’7_H9®’4_'²’<_Hq²’;_/Ÿ²’<_Hé²’@_/³’C_Hçµ’>_H1¶’;_/_¶’7_H©¶’4_/×¶’7_HO·’4_H™·’>_/¸’;_‰¸’4_/·¸’7_H¹’;_/g½’/_H±½’0_/ß½’1?H)¾’4_/W¾’2_HÙÂ’0_/Ã’/?HQÃ’0_/Ã’4_HÉÃ’7_/÷Ã’9_HAÄ’6_/oÄ’5?H¹Ä’3_/çÄ’4_H1Å’+_/_Å’/_H©Å’2_/×Å’0_ð‡Ê’;_HÑÊ’@_/ÿÊ’G_HIË’C_GÎ’@_H‘Î’?_/¿Î’@_H Ï’C_/7Ï’@_HÏ’;_/¯Ï’7_HùÏ’4_çÓ’<_H1Ô’;_/_Ô’<_H©Ô’@_/×Ô’C_H§×’>_Hñ×’;_/Ø’7_HiØ’4_/—Ø’7_HÙ’4_HYÙ’>_/ÑÙ’;_IÚ’4_/wÚ’7_HÁÚ’;_/'ß’/_Hqß’0_/Ÿß’1?Héß’4_/à’2_H™ä’0_/Çä’/?Hå’0_/?å’4_H‰å’7_/·å’9_Hæ’6_//æ’5?Hyæ’3_/§æ’4_Hñæ’+_/ç’/_Hiç’2_/—ç’0_ðGì’;_H‘ì’@_/¿ì’G_H í’C_ð’@_HQð’?_/ð’@_HÉð’C_/÷ð’@_HAñ’;_/oñ’7_H¹ñ’4_§õ’<_Hñõ’;_/ö’<_Hiö’@_/—ö’C_Hgù’>_H±ù’;_/ßù’7_H)ú’4_/Wú’7_HÏú’4_Hû’>_/‘û’;_ ü’4_/7ü’7_Hü’;_/ç’/_H1’0_/_’1?H©’4_/×’2_HY’0_/‡’/?HÑ’0_/ÿ’4_HI’7_/w’9_HÁ’6_/ï’5?H9’3_/g’4_H±’+_/ß’/_H) ’2_/W ’0_ð’;_HQ’@_/’G_HÉ’C_Ç’@_H’?_/?’@_H‰’C_/·’@_H’;_//’7_Hy’4_g’<_H±’;_/ß’<_H)’@_/W’C_H'’>_Hq’;_/Ÿ’7_Hé’4_/’7_H’4_HÙ’>_/Q’;_É’4_/÷’7_HA’;_/§"’/_Hñ"’0_/#’1?Hi#’4_/—#’2_H(’0_/G(’/?H‘(’0_/¿(’4_H )’7_/7)’9_H)’6_/¯)’5?Hù)’3_/'*’4_Hq*’+_/Ÿ*’/_Hé*’2_/+’0_ðÇ/’;_H0’@_/?0’G_H‰0’C_‡3’@_HÑ3’?_/ÿ3’@_HI4’C_/w4’@_HÁ4’;_/ï4’7_H95’4_'9’<_Hq9’;_/Ÿ9’<_Hé9’@_/:’C_Hç<’>_H1=’;_/_=’7_H©=’4_/×=’7_HO>’4_H™>’>_/?’;_‰?’4_/·?’7_H@’;_/gD’/_H±D’0_/ßD’1?H)E’4_/WE’2_HÙI’0_/J’/?HQJ’0_/J’4_HÉJ’7_/÷J’9_HAK’6_/oK’5?H¹K’3_/çK’4_H1L’+_/_L’/_H©L’2_/×L’0_ð‡Q’;_HÑQ’@_/ÿQ’G_HIR’C_GU’@_H‘U’?_/¿U’@_H V’C_/7V’@_HV’;_/¯V’7_HùV’4_çZ’<_H1[’;_/_[’<_H©[’@_/×[’C_H§^’>_Hñ^’;_/_’7_Hi_’4_/—_’7_H`’4_HY`’>_/Ñ`’;_Ia’4_/wa’7_HÁa’;_/'f’/_Hqf’0_/Ÿf’1?Héf’4_/g’2_H™k’0_/Çk’/?Hl’0_/?l’4_H‰l’7_/·l’9_Hm’6_//m’5?Hym’3_/§m’4_Hñm’+_/n’/_Hin’2_/—n’0_ðGs’;_H‘s’@_/¿s’G_H t’C_w’@_HQw’?_/w’@_HÉw’C_/÷w’@_HAx’;_/ox’7_H¹x’4_§|’<_Hñ|’;_/}’<_Hi}’@_/—}’C_Hg€’>_H±€’;_/߀’7_H)’4_/W’7_HÏ’4_H‚’>_/‘‚’;_ ƒ’4_/7ƒ’7_Hƒ’;_/燒/_H1ˆ’0_/_ˆ’1?H©ˆ’4_/׈’2_HY’0_/‡’/?HÑ’0_/ÿ’4_HIŽ’7_/wŽ’9_HÁŽ’6_/5?H9’3_/g’4_H±’+_/ß’/_H)’2_/W’0_ð•’;_HQ•’@_/•’G_HÉ•’C_ÿÿòÊŠåI